This article discusses the technical and historical relationship between piled fabrics in the Eastern Mediterranean, the United Kingdom, and the United States, focusing on the roles of material and technology. It starts in the Ottoman Empire. Weavers in Bursa and Istanbul made towels with looped pile, in a structure that may related to silk velvets. In the mid-nineteenth century, a British ethnographer named Henry Christy observed women in the Ottoman Empire making towels with a texture unknown to him. He gave a piece of this fabric to his brother, the director of the family hatting and plush manufactory in Lancashire, who in turn passed it on to the mills' chief engineer. In 1851, Christy’s Royal Turkish Towel won a prize at the Great Exhibition and a patent was registered to its inventor, Samuel Holt. Holt was then lured to New Jersey by a group of investors, and supervised the American Velvet Company, registering patents and continuing work with cotton terrycloth and silk velvet. This extended case study poses questions about material and technology, and craft and industrial production; it also investigates the structure of early modern terrycloth in the Ottoman Empire, based on five examples from the Textile Museum’s collection.
Publications
2025
Phillips, Amanda. “Velvets and Towels: Piled Fabrics from the Ottoman Empire to Manchester to New Jersey”. Textile Museum Journal 52 (2025): 177-93.
Phillips, Amanda. “Spindle-Whorls and Loom-Weights from Kinet”. In Kinet Höyük 7: The Medieval Period, edited by Scott Redford, II:pp. 565-69. Oxford: BAR International Series, 2025.
Phillips, Amanda. “Ex Orient, Luxe”. In A Legacy of Luxury: Honouring Five Centuries of Turkish Opulence, edited by Leyla Keyhan, 50-60. Istanbul: Beymen, 2025.
2024
Phillips, Amanda. “Ottoman Velvets in Workshops and at Home: Pattern, Motif, Materials, and Labour”. In Tulips and Peacocks: William Morris and Art from the Islamic World, 59-75. 2024. Reprint, London and New Haven: Yale University Press and the William Morris Gallery, 2024.
2021
Phillips, Amanda. Sea Change: Ottoman Textiles Between the Mediterranean and Indian Ocean. Oakland: University of California Press, 2021.
Phillips, Amanda. “Crafts and Everyday Consumption”. In A Companion to Early Modern Istanbul, edited by Shirine Hamadeh and Çiğdem Kafescioğlu. Leiden and Boston: Brill, 2021.
2018
Phillips, Amanda. “The Localisation of the Global: Ottoman Silk and Silk Weaving, 1600-1790”. In Threads of Global Desire: Silk in the Pre-Modern World, edited by Dagmar Schäfer, Luca Molà, and Giorgio Riello. Martlesham and Rochester: Boydell & Brewer, 2018.
2017
Phillips, Amanda. “Ali Paşa and His Stuff: An Ottoman Household in the Capital and the Provinces”. In Living the Good Life in the Qing and Ottoman Empires, edited by Suraiya Faroqhi and Elif Akçetin, 90-112. Leiden and Boston: Brill, 2017.
2016
Phillips, Amanda. Everyday Luxuries: Art and Objects in Ottoman Constantinople, 1600-1800. Berlin and Bonen: Staatliche Museen zu Berlin and Verlag Kettler, 2016.
2014
Phillips, Amanda. “The Historiography of Ottoman Velvets, 2011-1572: Scholars, Consumers, Producers”. Edited by Moya Carey and Margaret Graves. The Journal of Art Historiography, Special Edition on Islamic Art 6 (2014): 1-25.