Publications

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Cesaretti, Enrico. Elemental Narratives: Reading Environmental Entanglements in Modern Italy. Penn State University Press, 2020.

Over the past century, the Italian landscape has undergone exceedingly rapid transformations, shifting from a mostly rural environment to a decidedly modern world. This changing landscape is endowed with a narrative agency that transforms how we understand our surroundings. Situated at the juncture of Italian studies and ecocriticism and following the recent “material turn” in the environmental humanities, Elemental Narratives outlines an original cultural and environmental map of the bel paese.

Giving equal weight to readings of fiction, nonfiction, works of visual art, and physical sites, Enrico Cesaretti investigates the interconnected stories emerging from both human creativity and the expressive eloquence of “glocal” materials, such as sulfur, petroleum, marble, steel, and asbestos, that have helped make and, simultaneously, “un-make” today’s Italy, affecting its socio-environmental health in multiple ways. Embracing the idea of a decentralized agency that is shared among human and nonhuman entities, Cesaretti suggests that engaging with these entangled discursive and material texts is a sound and revealing ecocritical practice that promises to generate new knowledge and more participatory, affective responses to environmental issues, both in Italy and elsewhere. Ultimately, he argues that complementing quantitative, data-based information with insights from fiction and nonfiction, the arts, and other humanistic disciplines is both desirable and crucial if we want to modify perceptions and attitudes, increase our awareness and understanding, and, in turn, develop more sustainable worldviews in the era of the Anthropocene.

Elegantly written and convincingly argued, this book will appeal broadly to scholars and students working in the fields of environmental studies, comparative literatures, ecocriticism, environmental history, and Italian studies.

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Rogers, Charlotte. “Art and Debt in the Oldest Colony: Creative Resistance in Contemporary Puerto Rican Culture”. The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms, Routledge, 2022, pp. 234-46, doi:10.4324/9780429058912-26.

This essay examines how contemporary Puerto Rican art contests the island archipelago's twenty-first-century public debt crisis and its effects on the government's failed response to the devastating 2017 hurricane season. Puerto Rico's colonial status makes life on the island inherently unstable because its residents are subject to fiscal, social, and environmental laws not of their own making: the island's finances have been dictated since 2016 by an unelected Fiscal Oversight and Management Board. Perhaps because of this lack of democratic representation, contemporary art has flourished as a space in which Puerto Ricans can make their voices heard. Traditional gallery installations, public murals, community art projects, and digital media have all emerged as sites in which Puerto Ricans resist colonial disaster capitalism and its disregard for the lives and landscapes of the island. This essay considers how the art of Daniel Lind-Ramos, the organization Beta-Local, and the project Valor y Cambio challenge differing forms of indebtedness, asking who owes what to whom given Puerto Rico's history of occupation, enslavement, and economic exploitation.