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PUBLICATIONS

Don Giovanni Captured

Books

 

“Don Giovanni” Captured: Performance, Media, Myth. University of Chicago Press, 2022.

 

Engaging Haydn: Culture, Context, and Criticism. Essay collection co-edited with Mary Hunter.  Cambridge University Press, 2012.

 

The Characteristic Symphony in the Age of Haydn and Beethoven. Cambridge University Press, 2002.

 

 

Articles

 

“Monuments and Memorializing.”  In Caryl Clark, ed., The Cambridge Haydn Encyclopedia (Cambridge University Press, 2019), 216-17.

 

“Don Giovanni and the Resilience of Rape Culture.”  Journal of the American Musicological Society 71/1 (2018): 218-22.

 

“Role Reversal: Rossini and Beethoven in Early Biopics.”  In Benjamin Walton and Nicholas Mathew, eds., The Invention of Beethoven and Rossini: Historiography, Analysis, Criticism (Cambridge University Press, 2013), 333-54.

 

“The Symphony and the Classical Orchestra.”  In Julian Horton, ed., The Cambridge Companion to the Symphony (Cambridge University Press, 2013), 313-28.

 

“Haydn Invents Scotland.”  In Richard Will and Mary Hunter, eds., Engaging Haydn: Culture, Context, and Criticism (Cambridge University Press, 2012), 44-74.

 

“Carl Ditters von Dittersdorf.”  In Mary Sue Morrow and Bathia Churgin, eds., The Symphonic Repertoire, Vol. 1: The Eighteenth-Century Symphony (Bloomington: Indiana University Press, 2012), 483-97.

 

 “Zooming in, Gazing Back: Don Giovanni on TV.”  Opera Quarterly 27/1 (2011): 32-65.

 

 “Eighteenth-Century Symphonies: An Unfinished Dialogue.”  In Simon Keefe, ed., The Cambridge History of Eighteenth-Century Music (Cambridge University Press, 2009), 613-47.

 

 “The Ambivalence of Mozart’s Countess.”  In James Cassaro, ed., Music, Libaries, Scholarship: Essays in Honor of Lenore Coral (Madison, WI: A-R Editions, 2007), 31-54.

 

 “Reason and Revelation in C. P. E. Bach’s Resurrection Oratorio.” In Annette Richards, ed., C.P.E. Bach Studies (Cambridge University Press, 2006), 84-115.

 

“Pergolesi’s Stabat Mater and the Politics of Feminine Virtue.”  Musical Quarterly 87/3 (2004): 570-614.

 

“Time, Morality, and Humanity in Beethoven’s Pastoral Symphony.” Journal of the American Musicological Society 50 (1997):  271-329.

 

“When God Met the Sinner, and Other Dramatic Confrontations in Eighteenth-Century Instrumental Music.” Music & Letters 78 (1997):  175-209.

 

 

Encyclopedia Entries and Book Reviews

 

“Horace Clarence Boyer,” “David Brackett,” “John Cohen,” “Bill C. Malone,” “Neil V. Rosenberg,” “Charles K. Wolfe.”  In The Grove Dictionary of American Music, 2nd ed.  (Oxford University Press, 2013).

 

Review of Caryl Clark, ed., The Cambridge Companion to Haydn (Cambridge University Press, 2005).  Music & Letters 90/2 (2009): 287-89.

 

“The Nature of the Pastoral Symphony.” Essay review. Beethoven Forum 9 (2002): 205-15.

 

Review of Simon P. Keefe, Mozart’s Piano Concertos: Dramatic Dialogue in the Age of Enlightenment (Woodbridge: Boydell, 2001). Current Musicology  74 (2002): 215-23.

 

“Jimi Hendrix,” “Ignatius Sancho.”  In Samuel A. Floyd, Jr., ed., International Dictionary of Black Composers, 2 vols. (Chicago: Center for Black Music Research, 1999).

 

Review of Peter Schleuning, Die Sprache der Natur: Natur in der Musik des 18. Jahrhunderts (Stuttgart:  Metzler, 1998). Music Library Association Notes 55/3 (March 1999): 654-55.