Levine, Alison Murray. “Animal Products: Livestock Farming and Ecological Citizenship in French Political Documentary”. Modern and Contemporary France, Forthcoming.

Levine, Alison Murray. “Depth of Field: Farmland and Farm Life in Contemporary French Documetatry”. Edited by Ari J. Blatt and Edward Welch. France in Flux: Space, Territory and Contemporary Culture 59 (2019): 63.

Temple, Michael, and Michael Witt. “Region, Colony, and Nation in French Documentary Films”. In The French Cinema Book, 127-33. British Film Institute, 2018.

Levine, Alison Murray. “Documentary Film: A French Renaissance, 1990-2012”. In Companion to French Cinema, edited by Hilary Radner, Raphaëlle Moine, and Alistair Fox, 356-75. Blackwell, 2015.

Levine, Alison Murray. “Film, propaganda, and politics: La France est un empire, 1939–1943”. Contemporary French Civilization 40, no. 1 (2015): 71–90.

Levine, Alison Murray. “Teaching Film and Filmmaking in a Second Language”. Edited by Deandra Little. Looking and Learning: Visual Literacy across the Disciples, a Special Issue of New Directions for Teaching and Learning, no. 141 (2015): 67–75.

Levine, Alison Murray. “Bread on the table: documentary film and the future of French food”. Studies in French Cinema 14, no. 3 (2014): 180–194.

Levine, Alison Murray. “La Croisiere noire”. In Directory of World Cinema, edited by Tim Palmer. Intellect Press, 2013.

Levine, Alison Murray. “La France est un empire”. In Directory of World Cinema: France, edited by Tim Palmer and Charlie Michael, 43-45. Intellect Press, 2013.

Levine, Alison Murray. “Words on Trial: Oral Performance in Abderrahamane Sissako’s Bamako”. Studies in French Cinema 12, no. 2 (2012): 151–167.

Levine, Alison Murray. “Indochine”. Fiction and Film for French Historians: A Cultural Bulletin 1, no. 4 (2011).

Levine, Alison Murray. “’Provoking situations’: Abderrahmane Sissako’s Documentary Fiction”. Journal of African Cinemas 3, no. 1 (2011): 93–107.

Levine, Alison Murray. “L’automobile, le cinéma et l’Afrique: un tourisme illusoire?”. In Le Tourisme Dans Les Colonies (XIXè-XXè): Un Outil De Domination Coloniale?, edited by Colette Zytnicki, 181-91. Société française d’histoire d’outre-mer, 2009.

Levine, Alison Murray. “Ghosts on the Skyline: Chris Marker’s France After 9 11”. Edited by Cara C. Cilano. From Solidarity to Schisms: 9 11 and After in Fiction and Film from Outside the US 126 (2009): 145-63.

Levine, Alison Murray. “Mapping Beur cinema in the new millennium”. Journal of Film and Video 60, no. 3/4 (2008): 42–59.

Levine, Alison Murray. “Film and colonial memory: la Croisière noire 1924-2004”. Memory, Empire and Postcolonialism: Legacies of French Colonialism, 2005, 81–97.

Levine, Alison Murray. “Cinéma, propagande agricole et populations rurales en France (1919-1939)”. Vingtième Siècle. Revue d’histoire, no. 3 (2004): 21–38.

Levine, Alison Murray. “Projections of rural life: The agricultural film initiative in France, 1919-39”. Cinema Journal, 2004, 76–95.

Levine, Alison Murray. “Film As National Icon: Claude Berri’s‘ Germinal’”. The French Review, 2003, 906–916.

Levine, Alison Murray. “Women, Nostalgia, Memory:" Chocolat"," Outremer", And‘ Indochine’”, 2002.

Levine, Alison Murray. “Teaching colonial history through film”. French Historical Studies 25, no. 1 (2002): 41–52.

Levine, Alison Murray. “Le tourisme Citroën au Sahara (1924-1925)”. Vingtieme Siecle. Revue d’histoire 68, no. 1 (2000): 95–108.

Levine, Alison Murray. “Screening Family Values: The Politics of Rural Educational Film, 1919-1939”. In Proceedings, Western Society for French History 27, 128-39. Ann Arbor, MI: Michigan Publishing, University of Michigan Library, 1999.

Levine, Alison Murray. “Documentary Fiction: Identity and Difference in Colonial Propaganda Films”. Proceedings, Western Society for French History 25, 1997, 186-95.

Levine, Alison Murray. “L’Acadie Du Nord Et Du Sud: Des Lieux-mémoires?”. Revue Francophone 9, no. 2 (1994): 109–118.