SPECIALTIESPublications
Dark Matter: The Place of Poetry in Eighteenth-Century Newspapers (in progress)
- Busy Bodies: The Plots of Susanna Centlivre
- Harlequin Britain: Eighteenth-Century British Pantomime and the Cultural Location of Entertainment(s)
- Union Jack: Amnesia and the Law in Daniel Defoe's Colonel Jack
- Grub Street: The Literary and the Literatory in Eighteenth-Century Britain
- The Character of Credit: Daniel Defoe's Lady Credit
- Police, Insurance, Smollett
- Serial Form and the Insurantial Imaginary
- Infamous Harlequin Mimicry:Apprentices and the Mass Audience
- Why Was Harlequin’s Face Black?
- The South Sea Bubble as Turning Point
- Response:Defoe and Joyce, panel on "Defoe and the Revised Version of the Rise of the Novel
- Susanna Centlivre and the Reception of the Popular