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Fiorani F. Review of Immagini per conoscere dal Rinascimento alla Rivoluzione scientifica, ed. Fabrizio Merio and Claudio Pogliano. Renaissance Quarterly. 2003;56(4):1275–1276.

Fiorani F. Review of Pontormo Bronzino Allori: A Genealogy of Florentine Art, Elizabeth Pilliod. Sixteenth Century Journal. 2003;34(1):300–301.

Fiorani F. Danti Edits Vignola. The Formation of a Modern Classic on Perspective. In: The Treatise on Perspective: Published and Unpublished, ed. Lyle Massey. Studies in the History of Art, Center for Advanced Study in the Visual Arts. 2003;59:127–159.

Fiorani F. Maps, Politics, and the Grand Duke of Florence: The Sala della Guardaroba Nuova of Cosimo I de’Medici. In: Renaissance Representations of the Prince. Basilike Eikon, ed. Roy Eriksen, Magne Malmanger. Rome; 2001. pp. 73–102.

Fiorani F. Review of The Lure of Antiquity and the Cult of the Machine. The Kunstkammer and the Evolution of Nature, Art and Technology, Horst Bredekamp. Renaissance Quarterly. 1998;51(1):268–270.

Fiorani F. Post-Tridentine ‘Geographia Sacra’. The Galleria delle Carte Geografiche in the Vatican Palace. Imago mundi. 1996;48(1):124–148.

Fiorani F. “The Multimedia Format of Renaissance Maps.” In: Bulletin of the Society for Renaissance Studies. London; 1995. pp. 7–12.

Fiorani F. The Theory of Shadow Projection and Aerial Perspective: Leonardo, In: Desargues and Bosse. Desargues en son temps, ed. Jean Dhombres and J. Sakarovitch (Paris, 1994). 1994:267–282.

Fiorani F. Abraham Bosse e le prime critiche al Trattato della Pittura di Leonardo. Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana. 1992;5:78–96.