Being Human: Race, Technology, and the Arts

Semester
Spring
Year offered
2020

What makes us human? How did science and technology play a part in racism and the dehumanization of blackness? And how have artists of color re-appropriated science, technology, and science fiction to subvert and resist dehumanization? This course is an introduction to Afrofuturism, exploring the intersections of race and alienness, race and technology, and race and modernity through global futuristic representations of blackness in TV, film, music, art, and literature. In this discussion-based seminar, we will trace “like race” tropes in sci-fi, including aliens, monsters, enslavement, and invisibility. We will think about the various ways that black artists/writers/creators displace or “dimension-shift” the African Diaspora experience to grapple with contemporary and historical issues, and employ science/technology/sci-fi to invent places and conditions where blackness can thrive. Assignments will include literary essays and creative work (short films, artwork, mashups, web-content etc) that reimagine and interrogate representations of race and science/technology in contemporary media. (No artistic talent of experience required)